With so many Liam Neeson vehicles these days: they are, like Marksman, movies made by rote, internally empty shells that rely on superficial Movie holds value for the excellence of its essential ebbs and flows but it misses the opportunity to dig deeper beyond the surface. Its heart beats but its soul is nowhere to be found. Director Robert Lorenz's ( Trouble with the Curve) film delivers perfectly fine entertainment - it'sīuilt, tells a capable story, and boasts fine acting - but it's also a completely generic picture. Mark completely." But as a midrange film it.at least hits the paper, albeit somewhere off to the side and well off-center. Were The Marksman either a great film or a poor film there would be an easy introduction for it, to say it "hit the bullseye" or "missed the
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